your day intermittently captured on 35mm, with some 120 scattered throughout
a 60 sec video of your portrait session filmed on super 8
i have a sea of new and old cameras that i will use to tell story in analog. for 35mm, i have a pair of canon 1vs that i'll primarily use to capture the day. These are the last cameras made by canon before the digital era hit, so they’re incredibly reliable and are wicked fast. my fujiga645 has everything covered for medium format, and remaining spaces in my camera bag are occupied by a contax, nishika, rolleiflex, a polaroid and an instax. For capturing weddings in their 8mm glory, i use a pair of chinons.
if you're my accountant, yes the purchase of these cameras was a necessary business expense.
i'm a big fan of consistency in colour, so will stick to the portra family (primarily 400) for all colour and tri-x or for b+w. maybe some cinestill if you're getting married at a laundromat or run down movie theatre.
what’s life without a bit of risk, eh? but in all honesty, there’s risk involved in everything - even digital photography has its risks! it’s on photographers to mitigate such risks, and i have processes and steps in place to manage all risks for my photography, both film and digital. that being said, given the lack of immediate feedback that shooting on film brings, you might end up with a few more blurry or out of focus shots in your final gallery, but if you’re reading this page, i’m sure you know that’s part of the magic.
for full day film coverage, you can expect ~50 shots per hour of coverage. for add ons, you’ll get roughly 75-100 photos total.
nope! my turnaround time for wedding galleries is the same for film + digital. super 8 films do have a bit of a delay though, you can anticipate your films back within 8-12 weeks.
nah fam, it makes me ALIVE. weddings have been captured gloriously for decades, with or without the presence of digital cameras. film has incredible dynamic range and latitude, a kind of range that digital can't compete with. because of the 36-shots per roll nature of film, it forces me into a place of being more considered, intentional and creative with each shot i take.
this is definitely something i’d be into, get in touch and we can chat more about what this could look like.
of course! better in a shoebox under your bed than a shoe box under mine!
i have a sea of new and old cameras that i will use to tell story in analog. for 35mm, i have a pair of canon 1vs that i'll primarily use to capture the day. These are the last cameras made by canon before the digital era hit, so they’re incredibly reliable and are wicked fast. my fujiga645 has everything covered for medium format, and remaining spaces in my camera bag are occupied by a contax, nishika, rolleiflex, a polaroid and an instax. For capturing weddings in their 8mm glory, i use a pair of chinons.
if you're my accountant, yes the purchase of these cameras was a necessary business expense.
i'm a big fan of consistency in colour, so will stick to the portra family (primarily 400) for all colour and tri-x or for b+w. maybe some cinestill if you're getting married at a laundromat or run down movie theatre.
what’s life without a bit of risk, eh? but in all honesty, there’s risk involved in everything - even digital photography has its risks! it’s on photographers to mitigate such risks, and i have processes and steps in place to manage all risks for my photography, both film and digital. that being said, given the lack of immediate feedback that shooting on film brings, you might end up with a few more blurry or out of focus shots in your final gallery, but if you’re reading this page, i’m sure you know that’s part of the magic.
for full day film coverage, you can expect ~50 shots per hour of coverage. for add ons, you’ll get roughly 75-100 photos total.
nope! my turnaround time for wedding galleries is the same for film + digital. super 8 films do have a bit of a delay though, you can anticipate your films back within 8-12 weeks.
nah fam, it makes me ALIVE. weddings have been captured gloriously for decades, with or without the presence of digital cameras. film has incredible dynamic range and latitude, a kind of range that digital can't compete with. because of the 36-shots per roll nature of film, it forces me into a place of being more considered, intentional and creative with each shot i take.
this is definitely something i’d be into, get in touch and we can chat more about what this could look like.
of course! better in a shoebox under your bed than a shoe box under mine!